3RD: Here & Elsewhere — All Street Gallery

NEW YORK, NY 一 All Street Gallery is pleased to announce its upcoming exhibition, Here & Elsewhere, a group exhibition spotlighting women printmakers whose practices engage grief, reproduction, and rebirth. The show features works by Golnar Adili, Paria Ahmadi, Setare Arashloo, Ashley Page, and Kyung Eun You and is co-curated by All Street Collective members, Eden Chinn and Cora Hume-Fagin. Here & Elsewhere will be on view from October 17 to November 30, 2025, at All Street Gallery’s East Village location (77 East Third Street, New York, NY, 10003).

Rooted in the history of printmaking as a tool for dissemination and collective storytelling, Here & Elsewhere reconsiders the medium as a site of personal, cultural, and intergenerational reckoning. Printmaking has long been mobilized for mass communication yet it also carries an equally powerful capacity to hold intimate narratives. The artists in this exhibition leverage repetition, layering, and material translation to render loss, mourning and transformation visible.

Together, their practices imagine grief not only as rupture, but also as a generative process: an opening for remembrance, healing, and the continuation of life across family lines and diasporic histories. Moving through motifs of non-linear temporality, domestic memory, and the symbolic cycles of destruction and renewal, Here & Elsewhere presents printmaking as both a reproductive and transformative act.

By foregrounding women artists, those often positioned as reproducers of both familial and cultural lineage, this exhibition expands printmaking into a language of survival and regeneration. Across varied approaches, from book arts and embroidery to silkscreen, lithography, photography, and installation, each work is marked by meticulous craft and profound emotional charge. Inherent to each of their practices and printmaking as a medium is an aggregation of time spent with each image, a necessarily slow pace, and a traditionally feminine approach to craft through care and attention to detail.

This slowness has been cited as a rebellious act in itself: a mode of resistance that challenges systems’ and structures’ accelerated pace, often to the detriment of those already marginalized. The exhibition centers this creative slowness as a personal and political act, in connection to Jean-Luc Godard’s 1976 film of the same name, Ici et Ailleurs (Here and Elsewhere). The film expresses the challenge of meaning-making when commercial and political images inundate their global audience, particularly through the lens of the Palestinian liberation movement and the responsibility of the artist to create socially conscious work. Alternatively, in Here & Elsewhere, the artists initiate a creative reckoning of radical slowness, focusing on the precious nature of personal archives to offer ruminations on grief, identity, and bridging the present with the past. Both the film and the exhibition grapple with concepts of multiplicity and dissonance through the complexities of merging two distinct places and moments in time: here and elsewhere.

About the Artists:

Golnar Adili is an Iranian-American multidisciplinary artist, designer, and educator based in Brooklyn, New York. Her practice explores themes of diasporic identity, memory, language, and displacement, often through the deconstruction and reconstruction of her family’s archival materials such as photographs, letters, and printed matter. Trained in both painting and architecture, Adili creates artist books, installations, and sculptural works that interweave tactile material processes with architectural logic, play, and poetics. She has completed residencies at the Rockefeller Foundation’s Bellagio Center, MacDowell Colony, Women’s Studio Workshop, Smack Mellon, and the Lower Manhattan Cultural Council, among many others. Her work has been widely exhibited at institutions including the Victoria and Albert Museum in London, the CUE Art Foundation in New York, the Craft and Folk Art Museum in Los Angeles, and the International Print Center New York. Adili has received awards from the New York Foundation for the Arts and the Pollock-Krasner Foundation, and her artist books are held in collections such as the Library of Congress, Yale University, Booklyn, and the University of Michigan. In addition to her studio practice, she teaches at Parsons School of Design, where she emphasizes visual literacy, perception, and an iterative, material-driven approach.

Paria Ahmadi is an Iranian artist based in New York whose multidisciplinary practice explores the intersections of memory, archive, and the poetic relationships between language, image, and object. Growing up in Iran and now residing in the United States, Ahmadi’s work reflects on the complexities of cultural inheritance and displacement, often using humor and subtle irony to disarm and reframe political and personal narratives. She works across printmaking, sculpture, installation, video, creating spaces in which fragility and play coexist with deep questions of history and belonging. Her installations and printed works frequently draw upon overlooked or repressed archival material, layering fragments of text and image to expose the ways memory is shaped, distorted, and reimagined over time. Ahmadi’s attention to materiality—whether through hand-pulled prints, delicate sculptural arrangements, or ephemeral performative gestures—underscores her interest in the instability of meaning and the shifting terrain of collective and personal memory.

Setare Arashloo is a visual artist residing in Brooklyn, New York. She holds an MFA in Studio Art from Queens College and an Advanced Certificate in Critical Social Practice from Social Practice Queens (SPQ). Her work has received support from the SIP Fellowship at EFA Robert Blackburn Printshop, the Urgent Action Fund for Women’s Human Rights, the Montes Press Writing Grant, the AIM Fellowship at the Bronx Museum of the Arts, and the Archie Green Fellowship from the American Folk Art Center. Arashloo's international exhibitions include the Elizabeth Foundation (New York, 2026), Railspur (Seattle, 2023), Ecole Nationale Supérieure d’Art in Bourges (2019), and the Bronx Museum (2017). Her most recent solo exhibition, Softening of Mind, took place at Transmitter Gallery in Brooklyn. She has also contributed as a museum and art educator at MoMA, Queens College, SUNY Empire State College, and Saint Ann’s School.

Ashley Page is an interdisciplinary artist and curator based in Portland, Maine. She earned a BFA in Sculpture with a minor in Public Engagement from Maine College of Art & Design. Her studio and curatorial projects center storytelling, representation, and intergenerational exchange. Page received the Amelia Peabody Award for Sculpture from the St. Botolph Club Foundation in 2022, studio project grants from the Maine Arts Commission and MyMa, and has been a resident at Ellis‑Beauregard Foundation, HewnOaks Artist Colony, and Able Baker Contemporary. She has curated exhibitions at the Center for Maine Contemporary Art, Portland Public Library, and ICA at MECA, among others. Her work has been exhibited and collected by institutions including the Portland Museum of Art, Hunterdon Art Museum, Tate House Museum, University of Southern Maine Art Gallery, University of New Hampshire, Cape Cod Community College, Center for Afrofuturist Studies, and Abyssinian Meeting House. As an educator, she has led workshops in textiles, papermaking, and printmaking across Maine at venues such as Peters Valley School of Craft, University of Maine Orono, Waterfall Arts, Bowdoin College, Coastal Maine Botanical Gardens, Farnsworth Museum, and MECA. Page is currently the Studio and Programs Manager at Indigo Arts Alliance, working at the intersection of art and social justice.

Kyung Eun You is a Korean visual artist based in New York. Her work spans printmaking, artist’s books, comics, paintings, and animation, often rooted in memory, relationships, psychological terrain, and internal narratives. Among her residencies and awards are the Artist’s Book Residency Grant (Women’s Studio Workshop, 2019), NYSCA/NYFA Artist Fellowship in Printmaking/Drawing/Book Arts (2020), New Prints Artist Development Coursework Award (International Print Center New York, 2019), Immigrant Artist Mentoring Program (NYFA, 2017), Studio Practice Scholarship (National Academy, 2015), and Book Artist in Residence at Center for Book Arts (2023). Her work has been shown and published across the US, UK, Hong Kong, and Korea. Her book, where are we now, created in her 2019 WSW residency, uses black-and-white graphic repetition, linocut, and deeply personal narrative to explore her immigrant experience, family loss, and memory’s fragility.

About All Street Gallery:
Founded in 2018, All Street Gallery is a gallery and platform for emerging and underrepresented artists whose work focuses on social engagement and community empowerment. Initially created as an artist collective and grassroots protest organization, All Street is driven by its roots in the city’s creative community. The gallery’s mission is to use art as a means of protest, resistance, and social change, highlighting voices that challenge the status quo. After opening its first location on East Third Street in the East Village, All Street expanded in 2023 with a second space at 119 Hester Street. Both locations continue to provide a platform for artists whose work addresses important social and political issues.

For press and sales inquiries, please contact:
gallery@allstnyc.com
+1 (646) 335-3717

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